This past month has been very busy, but in a pleasant sort of way. I'm taking an online Tech Editing course from Joeli, of "Joeli's Kitchen," to learn what's involved in being a knitting pattern technical editor. Lots of math! Lucky for me, I adore math. Sick, I know.
Tressa returned from Edmonton, and declared flying as "boring" in typical Tweenie fashion. She had a blast with her cousins and at one point, she wanted me to see about letting her stay until Christmas so she could go to school with her cousin, Angelina. They are both the same age and as thick as thieves. I, of course said no, with a HUGE lump in my throat. My baby, wanting to stay longer away from me? Inconceivable for me to imagine. Tressa, the master negotiator that she is, reminded me that Harry Potter went away to school when he was 10, and besides, she will be going to travel Europe after high school with Angie and their best friends, so it would be great practice for me. Hmmmm. I smelt a pot of mullarkey, and after talking to my sister, it seems it was a plan cooked up by my little Tressa and Angie.
And speaking of cooking, I took a natural dyeing course at my local Craft School. So much fun! It was from 9am to 4pm but honestly, the day flew by. I finally got to try my hand at dyeing with cochineal, which are the bodies of female insects of the species Dactylopius. I managed to get one skein in the pot. It turned out a delicious colour! I bit the bullet and ordered some for my home studio. It's expensive, but worth it.
Here are the pots simmering on the stove. The back is madder and the front, marigolds! The marigolds were the only "raw" dyeing supplies we used due to time constraints. You wouldn't believe the rich yellow we got from them! Lovely! All the other colours were produced by dye extracts from Maiwa, a natural dye supplier in Vancouver, British Columbia, Canada. (As soon as I got home, I placed an order with them. Soooo much cheaper to purchase Alum and Cream of Tartar through a dyeing house than at the local grocer.)
Here, one of the students is adding the cochineal to the dye pot. I was very surprised at the method we used to dye. We mordanted the fabric/yarn/paper in the pot with the dye at the same time! From my previous readings, I knew this was possible, but in practice, I've always mordanted my skeins separatly and added them to a thoroughly mixed dye pot. I was sure my skein would end up with splotches of darker shades, but it did not. Huh. Who knew? Obviously, the instructor! LOL
It was freaking hot and raining very hard outside. Add in the heat of 4 burners running from 9am to 4pm in a small fiber studio, and you've got a group of very warm dyeing students! This is me, glowing with the simmering pots in the background. Totally not a make-up day!
And because I love the pots...
Here is my samples laying out. It was really neat to see how different fabrics and yarns would grab the dye. Wool and silk fabric and yarn are my favourite.
These are a few of the books the instructor brought with her that I don't own yet. :) I really liked these ones the best.
And now I find out why we mordanted the materials in the same pot as the dye. I gotta tell ya, my heart sank as I watched all that dye go down the drain. But the dye would not keep for long with the mordant in it. Dye can actually bond with the mordant, making the solution weak and give you less than vibrant colours.
Some samples drying on the racks...
It was a really fun class. In fact, I signed up for another natural dyeing class but this next one is dyeing with mushrooms and lichens. NOW that will be exciting!!! I also discovered another way to dye through fermentation. I'm researching that on the internet now. It might be a while before I give it a go.
So what is next for my home dye pots? Rudbeckia hirta, a.k.a., Black-eyed Susans! I've read that you can get some very pretty greens from them. That's a colour I've not reach yet. I'm gathering a huge amount of them and storing them plastic grocery bags in the freezer while I wait for my alum and powder iron mordant to arrive in the mail from Miawa. These are the two species I've been gathering.
I really need a dyer's garden. Sigh.
The sewing bug bit me and I'm designing/sewing knitting project bags. I'm selling them our Etsy shop, Keswick Arts & Crafts. Mom is an amazing sewer, but she loathes it. She will not even cut out the fabric pieces, she hates it so much, but she is able to give me her opinion/advice as I whip up the bags. Needless to say, I have a couple of bags for my own personal use due to them not being "shop worthy," as per Mom.
And as for knitting and designing, "Roses for Margaery" socks are still on the needles and being charted. I'm knitting the size large for my feet in a pretty shade of green. I feel these are taking a little too long to complete, but I'm resisting the urge to rush. Oh, remember the "second sock syndrome" I experienced while knitting the mediums? I took an idea from Joeli and I am knitting both socks at the same time but on two separate sets of needles. I'll knit so far on one and chart as I go. Then I'll stop, and knit from my new chart on the other sock, and make corrections as needed.
It's okay that I'm going slow with this design because I'm also reading a really great book to help me with my photography skills.
This book is truly fabulous! It inspired me to purchase a "new-to-me" lens off ebay for my old Olympus E-500 digital camera. An Olympus OM Zuiko MC Auto-S 50mm f/1.8 prime lens and an adapter ring. It will give me that lovely look the pears in the photo above are sporting... subject in focus while the background is artistically blurred. Yay! I can't wait for the adapter ring to arrive! :)
What have you been up to lately?